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The show is about to begin at Panelinha Baiana, a modest, though
hectic, bar that used to be at Deputado Lacerda Franco street, in
Pinheiros, São Paulo. The announcer, who usually introduced
forró and country music trios, takes the microphone to call
up a different act, advertised on the badly laid-out poster at the
door as "the spiritual brother of Elvis Presley."
"I
GIVE YOU ELZYO, THE SPIRIT OF ELVIS PRESLEY'S BROTHER!"
Elvis is really not dead. Nor did he become an anonymous trucker
roaming the Memphis area, as the legend goes. In fact, he lives
in a kitchenette near Largo da Batata, in São Paulo, and
runs, jointly with Nenê, his (biological, not spiritual) brother,
a small hardware and household appliances maintenance store, Comércio
Elétrico Paes Leme Ltda. Elvis, in this particular case,
is 44 year-old Bahia-born Elzo José da Silva, aka Elzyo Presley
or, more recently, Elzyo Silver.
If, on the night the announcer at Panelinha Baiana raped William
Shakespeare's language, Elvis's spirit failed to manifest itself
at the club (as some claim it might, as we will see), one thing
is certain: his voice, at least, was there. No one will be less
than astounded as Elzyo sings hits like "It's Now or Never,"
"Love Me Tender," and "American Trilogy" with
a timbre almost identical to the King's. Such was the case with
Raul Seixas, who was left with his mouth agape when he met the mulatto
version of Elvis, in the early 1980's.
But if you want to piss off this native of São Tomé,
a village in the Bahia badlands, near Campo Formoso, who moved to
the São Paulo State Capital at age 2, all you have to do
is call him an "impersonator" or a "cover act."
"I'm an interpreter of songs by him and others in the same
style," he explains from the height of his 5'8". What
is yet to be explained is how this humble, emotional man from the
backyard of nowhere fell in love with the American idol's music
from the very first time a friend played "Kiss Me Quick"
for him for the first time, in 1969. Soon after that, Elzyo would
start a career that has been going on for 25 years non-stop.
RAUL SEIXAS-APPROVED
In 1984, on a January afternoon, Elzyo walked the 60 feet that separate
his store from a restaurant called Estrela do Norte, at Pais Leme
street. The simple dining-room, with a half-dozen metal tables had
as a frequent patron Raul Seixas, who liked to eat there whenever
he got homesick. Elzyo went there to intercede for a musician friend
who wanted to record one of Raul's songs. "Since you're here
on behalf of someone else, you must have a kind heart. Sit down,"
said the rock star.
Between mouthfuls of string-beans and beef jerky, they found their
common idol. At the end of the meal, Elzyo gave Raul a beat-up old
tape with his recordings. "When he got home, he was impressed
with Elzyo's performance and timbre," says 50 year-old Ceará-born
musician Elton Frans, who was Raul's manager/producer/babysitter
at the time. At 9 A.M. the following day, the author of "Metamorfose
Ambulante" ran like mad into the Comércio Elétrico
Pais Leme, enthused about recording a tribute to Elvis Presley along
with his newfound friend.
"I was in Las Vegas, in 1983, at an Elvis impersonators contest,"
Raul said. "The best among them would crawl under the table
in shame if they heard you sing." To this day, remembering
thus brings tears to Elzyo's eyes. From that date, 18 years have
passed until the CD came to be - its release is scheduled for this
month, by RNV Music, a Rio de Janeiro recording company.
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A FORMER GOSPEL SINGER
His humble roots didn't prevent Elzyo from getting a respectable musical
education. At 9 he already sang gospel songs at the Vila Mariana Baptist
Church. His baritone/tenor voice drew the attention of Miss Litha,
an American that represented the church in São Paulo. The boy
was soon conducting a 12-member choir. In addition to singing classes,
the religious woman also gave Elzyo his first English lessons.
Still in his teens, the Elvis-to-be became a crooner for the ball
orchestras of conductors Silvio Tancredi and Élcio Álvares.
The latter noticed the similarities between the voices of Elzyo and
the Memphis singer. In an afternoon in 1969, maestro Élcio
played a "Kiss Me Quick" record for Elzyo, who had an epiphany:
"Until then, I sand other things, but they never felt quite right,"
he says, "but when he introduced me to Elvis' music, I felt it
really had to do with my personality."
He proceeded to assembler a band and gave rise to Elzyo Presley's
career. They performed at the Atlético Ipiranga and Sírio-Libanês
clubs, at the Inverno e Verão beerhouse, at the Avenida nightclub,
and for the American and Angolan embassies. They also toured countryside
São Paulo and traveled to Bolivia and Paraguay. In 1994, they
spent a season at the Playcenter amusement park, rocking the establishment's
"Terror Nights." The crowd would run from Roller Coaster
and Monster House queues to listen to Elzyo singing.
In 1997, at the end of a performance at a BBQ place in Itapecerica
da Serra, a woman drew near to Elzyo with tears in her eyes. "She
claimed to be a psychic and said she had seen Elvis Presley by my
side on stage," he says. According to her, Elvis died before
finishing his work, which found continuation in his Northeastern Brazilian
interpreter. Despite having given up his Baptist religion for Spiritualism,
Elzyo is embarrassed to speculate on such a supernatural connection
with his idol. |
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I'M NOT HIM
Despite the spiritual protection and a full schedule of gigs, Elzyo could
never leave his hardware store (which, according to him, makes money enough
for food and utilities) and live out of his music alone. Nor did he find
a major label that was interested in his work. His biggest break was in
1982, when his friend Élcio Álvares and the producer Lola
Chinello took him for an audition at RCA, in São Paulo - the very
same recording company that held the late Elvis Presley's copyrights.
Impressed, the executives took him to a further audition at the Rio de Janeiro
headquarters, and this time an American producer was present. Elzyo says
that he sang to playbacks made for Elvis and that, after a while, the sound
technician could no longer tell one voice from another.
"They asked me if I'd be willing to sing as if I were Elvis to some
previously unreleased playbacks that were ready before his death,"
Elzyo says, adding that he the proposal scared him. "I thought that
would be too brash: only Elvis should sing to music made for him."
The episode led Elzyo to write the song "I'm Not Him," where he
stresses the fact that he doesn't want to be taken for his idol. "Elvis
is unique, he is the best. No one can compare to such a man."
That is also why Elzyo never wanted to make a record with Portuguese language
versions of the singer's classic hits. And pity the man who thinks the mulatto
Elvis reneges Brazilian music for gringo culture. "I want do to the
opposite, to record English versions of Brazilian songs and take our stuff
out there," he argues, stating that the tribute to Elvis CD contains
a version of the cheesy hit "Morango do Nordeste," by Walter de
Afogados and Fernando Alves, recorded as "Strawberry of America."
As a milestone for this new period in his career, Elzyo changed the "Silva"
surname for "Silver" and replaced the "Presley" he used
as a stage name. |
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SHOWTIME
Elzyo is single. At different times, he lived with two women, but never
got officially married . "It's difficult for women to understand
a performer's life, he explains. "We come home late and they get
jealous..." As for the fans that are charmed by his voice, he says
he doesn't freak over them. "But a little something can happen,"
he eventually confesses.
The singer rehearses every Thursday at a karaoke bar at Cardeal Arcoverde
street, before the club's patrons arrive. He's now standing on a small
6'x10' stage, conducting - in a checkered shirt, blue jeans and Chinese
slippers - the band has been with him for the past ten years: guitar player
Isaías, bassist Beto, keyboard players Rodrigo and Christian, and
drummer Pecos. "Come here, right now," he kids when the TRIP
crew enters the bar - after a few says, we also got an electric-powered
shower as a gift from Elzyo's store.
The band is well rehearsed. After all, the CD Elzyo Silver Live In Memory
The King Of Rock was recorded live at the Woodstock dance-club, in São
Paulo - during an event held by the São Paulo-based Gang'Elvis
fan-club, founded in 1967 and one of the 560 official Elvis-cult associations
present all across the globe. "Elzyo may not be good looking, but
as soon as he starts singing, the most demanding fans become emotional,"
says Walter Terciani, 54, founder of Gang'Elvis.
Elzyo sings "Let it Be Me" and "It's Nor or Never,"
by Presley, follows with the English version of "Morango do Nordeste,"
then proceeds to Creedence Clearwater Revival's "Proud Mary."
It's quite an experience to watch him perform classic rock'n'roll and
pop hits as Elvis might. At the end of the rehearsal, the band moves on
to the Beatles' "Yesterday" and the few people present at the
little bar have an opportunity to imagine how the most played song of
all times would have sounded as performed by the King of Rock'n'Roll.
Fame may not have come yet, but Elvis's brother's spirit is still roaming.
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