TRIP Then she left your place?
RICKY
No she remained. My apartment almost caught fire: she fell asleep with a candle still lit and scorched the curtains. Well havoc had taken over, there was food, cigarettes, and bottles all over the place: it was chaos, as you can imagine. Then an American hippie showed up and she decided to ride to Bahia with him on his motorbike. But they lost the bike midway. Amidst all this, I tried to set up a concert for her, but it never happened. She freaked out and couldn't sing. The truth is that she was in very bad shape...

TRIP Emotionally?
RICKY
She knew she was a genius. She may have been high, but she was aware of her role as an artist, she knew she was wonderful. But she had a depressive, low self-esteem side. She was rejected in Port Arthur, Texas, her birthplace, because she only hung out with musicians, most of them black.

She was fragile, anguished, very down. She had moments of joy and laughed like a little girl, but she had been through a lot. Now, picture such a woman in Brazil as it was then! What did she expect from Brazil? What does the average American expect? Snakes all over, Indians with their asses exposed? Think about it, this was 1970!
TRIP How did she leave?
RICKY
I really don't remember. Afterwards I lost touch with her. She was a shooting star that came and went. Months later, I was shocked to learn that she had died. Her voice was unique. Who can, in this day and age, listen to an entire Janis Joplin album? She's strong, intense, all guts. Even today, Janis is unique.

68 year-old Rio de Janeiro singer Serguei Bustamante, a living legend of Brazilian rock'n'roll, met Janis Joplin in the US in 1968. He ran into her again in the summer of 1970. At TRIP's request, he tells a psychedelic - an emotional - tale of what it was like to have Janis whispering in his ear

"We met in Long Island, at an outdoors rock and roll festival, back when I lived in the US. She came up to me and said: 'You have lots of feeling'. We became friends right away. I went to San Francisco with her and spent a month there. We had a great time together. Janis had lots of orange juice, a sort of ritual, she pressed fresh juice all the time - and then dosed it with gin. One day she was making juice when someone knocked. I answered and there was a weird man with a Black Power hairdo standing there. Let him in, she said. And that was how I met Jimi Hendrix. I remember they started to argue and then to kiss - it was a different life style, you know? A few days later we went to Jimi's place in Los Angeles. I've always been uninhibited and I danced, swayed and twisted my tongue around. Then Janis told me to stop sticking my tongue out or the hairy guy stretched out on the couch would stick a sunshine in my mouth. The hairy guy was Jim Morrison.

At another party, at Senegal Boulevard Motel, with Jimi Hendrix, Kris Kristofferson (Janis's partner in 'Bobby McGee') Jim asked Janis to give him a blow job. She acted like she was going to and then decided to throw a bottle of whisky at his head. He didn't even flinch: 'I'm going to take a nap,' he said. About two years later, I was walking past Copacabana Palace - back then it was safe to walk on Avenida Atlântica without fear of being mugged - when I saw a strange couple: a tall, good-looking, interesting blond man and a woman wearing a turban and Gypsy skirts. Fuck me! 'Janis!,' I yelled, and we were soon french-kissing.

Back then I used to perform at a rat-trap called New Holliday, at basement 73, Leme, Copacabana. I sang stuff like 'Satisfaction' and 'Tropicália', I opened up for Darlene Glória's act. I wanted to take Janis there. The manager, a Portuguese, stopped her at the entrance: 'This dirty bum can't enter.' Imagine that, Janis barred from a whores' bar! I argued with the man and she finally got in. Alcione was singing 'Upa neguinho'. Janis sat down and ordered vodka - you know, after having methadone there's a craving for vodka, and she was undergoing a meth treatment at the time to get rid of the heroine habit. There was a band playing and I got on stage and said 'ladies and gentlemen, the greatest singer of all time.' I asked the band to play for her, but they didn't get the song right, they were nervous. Then she let go and sang 'Ball and Chain.' God (Serguei gets emotional and weeps)... her singing was sublime! The whole club stood up. Alcione screamed like a woman possessed. Tony Tornado, who also appeared there, shook all over, shirtless. The Portuguese man kneeled at my feet and cried: 'Fuck! How could I try to stop her? Hit me, I deserve it!' Then she sang Ray Charles's 'What I'd say.' It was beautiful, glorious, total insanity. The whole club bought us drinks.

I left and caught up with her and David Niehaus, the blond Dutchman I mentioned, at the beach. The moon was full … You know, I'm shameless by nature: the three of us had sex until morning. To say the truth, I was more into the Dutch, with his white ass in the moonlight, I wasn't very attracted to her because for me Janis was unattainable, an idol, sensuality and protest, everything. She was all that I wanted to be. Even when we were next to each other, doing it, to me she was a dot of light floating in space."

(as told to Ronaldo Bressane)

[HOME]
[01] [02] [03]

PS: The original pictures in this story were kept in Ricky's files for 30 years and, as an editorial choice, we decided to keep them as they were found, with no chemical or digital restoration.

more stories in English